Clacton-on-Sea Co-operative Band

 

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Welcome to the official Clacton-on-Sea Co-operative Band web site

About the band

Latest News Summary

The Clacton-on-Sea Co-Operative Band is a traditional Brass Band based in Clacton, Essex, England. Formed in 1948 the Band is a well established organisation and over the years has earned the reputation of being a fine concert and contesting Band. 

The band has has two rehearsals venues, one in Clacton-on-Sea and the other at Witham which helps reduce the travel expenses for many of the players as it is within easy reach of the A12 and Witham train station (on the main line from Liverpool Street).

The Clacton bandroom is on the old Co-op dairy site in Telford Road.  The Witham venue is at the Spring Lodge Centre. Although the rehearsal location is sometimes at Witham the band is still to be known as the Clacton Cooperative Band and will continue to present concerts in the Clacton area.

The band are proud to be sponsored by East of England Co-operative Society

April 2012 - SUMMER DATES ANNOUNCED

Summer concerts at the Westcliff Theatre   more

March 2012 - POOR RESULT ATE STEVENAGE

Band disappointed with 11th place   more

 

 

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Photo Album

Rules for playing in a Brass Band

We will be adding loads of photo's here.  Julia and George are always taking photo's of us, in rehearsal and on stage.

1. Everyone should play the same piece.
2. Observe the repeat signs only if what you just played was interesting.
3. If you play a wrong note, glare at one of the other players.
4. The right note, at the wrong time, is a wrong note. (And vice-versa.)
5. A wrong note, played timidly, is a wrong note.
6. A wrong note, played with authority, is simply your interpretation of the phrase.
7. If everyone gets lost except you, follow the ones who are lost.
8. Strive always to play the maximum notes per second. This will intimidate the weaker players and gain you the admiration of the ignorant.
9. Markings for slurs, dynamics, and accidentals should be completely ignored. They are only there to make the score look more complicated.
10. If a passage is difficult, slow down. If it is easy, speed up. Everything will even itself out in the end.
11. You have achieved a true interpretation when, in the end, you have not played one note of the original piece.
12. When everyone else stops playing, you should stop also. Do not play any notes you may have left over.

Still interested?  Give Ann Headworth a call

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This site was last updated 04/23/12